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Chanteur et pianiste US né James Faye Hall, le 7
Mai 1922 à Big Stone Gap (Virginie). Roy Hall a débuté
en 1937 , mais c'est après l'armée, en 1949, qu'il forme son groupe: les "Cohutta Mountain Boys", et qu'il enregistre pour le label Fortune Records de Detroit (Michigan). On retrouve Roy en
1954 à Nashville (Tennessee) où il travaille avec Jim Bullet. Ensuite il passe sur le label Tennessee, et joue pour
Webb Pierce. Après quelques singles pour de petits labels, Roy Hall s'est retiré à Nashville et est mort le
3
Mars 1984.
It's likely
that no one will ever be able to sort out 100 percent of the truth about Roy
Hall's life — especially as he used a borrowed name for much of his career, and
his legend still seems to get printed in lieu of what he claimed to scholar/historian
Martin Hawkins was the truth. The legend is pretty well known in rock & roll
circles — born James Faye Hall in Big Stone Gap, VA, in 1922, he learned the
piano from a local bluesman who was also a dedicated drinker, with the result
that he became a keyboard wizard and also a serious drunkard when he was barely
out of his teens. The truth was a bit more mundane, as he explained to Hawkins
in a couple of meetings in the mid-'70s. He was, indeed, born James Faye Hall in
Big Stone Gap in 1922, but he was introduced to the piano by his mother, and she
was his first teacher. He discovered early on that he was a natural pianist,
capable of playing by ear as a boy, and formal lessons proved superfluous. He
absorbed all manner of influences around him, including country and blues, and
one of those players whom he did cite as a major influence was Piano Red aka
Willie Perryman, the itinerant pianist 11 years his senior, who began making his
name in juke joints, honky tonks, and barrelhouses in Tennessee (and Hall grew
up right on the Tennessee border with Virginia), Alabama, and Georgia. Rather
ironically, both men, though born a long time before its advent, would play
important roles in the early history of rock & roll. By the time he was 11, he'd
played enough around Bristol, VA, straddling the Tennessee border, that he was
picked to play backup behind Uncle Dave
Macon on a traveling broadcast offshoot of the Grand Ole Opry. That was in
1933 or 1934. Over the ensuing years, he played with lots of other outfits in
the Roanoke, VA, area, and sometime in the mid-'40s joined an existing sibling
act called the Hall Brothers, built around banjo man Clayton Hall and fiddler
Saford Hall. There had been a third brother, named Roy Hall, who had played
piano but had died in a car accident in 1943. It was a natural jump, especially
as the name was open and he was filling the slot in the group, but James Faye
Hall picked up the name Roy Hall himself after the trio quit, initially so that
he could extend his string of popularity by association. Whatever the
motivations, it stuck, and so did the success, to the degree that Hall was
leading his own band, the Cohutta Mountain Boys. Named for the Cohutta area
where he lived in Appalachia, they included Tommy Odum and Bud White on lead and
rhythm guitar, respectively, Flash Griner on bass, and fiddle player Frankie
Brumbalough. Hall played piano and did some of the singing, but he left a lot of
the Vocalsizing to his bandmates.
They were good enough so that they actually got to cut some sides in Detroit,
MI, for the Fortune label, making their debut in 1949 with "Dirty Boogie," a
classic piece of hillbilly boogie sung by Brumbalough. The single, which
appeared with two different B-sides, was a serious jukebox hit around the upper
Midwest and he followed it up with two much more traditional country records
that didn't get quite as much notice. The records got them gigs, however,
including one as the backing band to a singer named
Tennessee Ernie Ford who, in turn,
helped get them some gigs in Nashville, where he was based. But where
Ford was already recording for
Capitol Records, then an up-and-coming major label, not quite a decade old and
growing, the best recording deal that Hall and his band could make was with
Bullet Records, a Nashville concern that was on its way out.
The band continued a journeyman existence, playing in Tennessee and Kentucky and
making its way back to Detroit as a base, where Hall eventually put together a
new group, called the Eagles, which cut sides for Citation with Flash Griner on
lead Vocals. None of these — not even the estimable "Skinny Minny from Texas
City" — did the kind of business needed to sustain a group, and by the early
'50s, Hall had moved back to Nashville and was running a club, known in various
recollections as either the Music Box or the Musicians' Hideaway, where he also
played piano, picking up odd session work with various musicians, in the
recording studio and at the Grand Ole Opry. The next few years saw Hall working
in relative anonymity, crossing near the orbits of less talented people who
seemed to be getting somewhere, while he always ended up back at the Hideaway,
behind his own piano, nursing a drink or two (or more). At one point in late
1952, he even reactivated the Cohutta Mountain Boys, and cut sides for Fortune
Records with Skeeter Davis, born Mary
Frances Pennick; he subsequently played piano on demos by
the Davis Sisters, which consisted of
Pennick and her non-sibling partner Betty Jack Davis. None of this helped Hall
get any steady recording work, and across the decades, he recounted those "lost"
years of 1953 and 1954 in colorful terms, claiming that at one point he had
Elvis Presley playing at the Musicians'
Hideaway, and that he'd employed Jerry Lee
Lewis. Those must have been agonizing years for him, watching from the
sidelines, and his by then well-known capacity for alcohol probably didn't make
matters better. Even his onetime idol Piano Red was getting recorded, at the R&B
division of RCA Records, and playing good gigs before appreciative audiences,
and all Hall was getting were scraps, leftover gigs, and last-minute slots well
away from the ears of any record executives.What finally happened to change this
was his crossing paths with Webb Pierce,
who saw in Hall a lot of untapped potential and got him scheduled to play on his
sessions. It turned out that Hall, with all of his experience, knew the road
well enough for both of them, and he ended up working as
Pierce's pianist and road manager. This,
in turn, led to Hall's being signed by Decca Records producer Paul Cohen to his
first recording contract with a major label, in 1955. One of the songs that Hall
cut at his first Decca session, in September of that year, was a composition
that he claimed as his own, entitled "Whole Lotta Shakin' Goin' On," which he
maintained he'd written — so he claimed — on a European vacation using the
pseudonym "Sunny David" Although Dave Williams subsequently established sole
copyright to the song, most scholars are willing to give some credence to Hall's
story, the waters to which were further muddied when his ex-wife got wind of his
interest in the song and took court action to seize the royalties. Those didn't
become a major factor, of course, until
Jerry Lee Lewis cut his version of the song for Sun Records in 1957, but in
the meantime, Decca seemed bent on casting Roy Hall as a kind of Nashville-based
soundalike to Bill Haley, who was
currently ruling the pop charts for Decca with his Pennsylvania-spawned rock &
roll. Those weren't bad sides — even if Hall was older and more portly than
Haley, he knew how to make good records —
and there was plenty of work for Hall as a performer, even if he saw no actual
chart success. With Pierce's imprimatur,
he was able to get gigs with people like
Marty Robbins and Hawkshaw Hawkins,
and he brushed up close to greatness with his release of "You've Ruined My Blue
Suide Shoes," which anticipated elements of
Carl Perkins' hit "Put Your Cat Clothes On." Hall's single was never
promoted properly, however, and by the middle of 1956, his contract with Decca
was over. Meanwhile, Jerry Lee Lewis'
version of "Whole Lotta Shakin' Goin' On" so overwhelmed the rival renditions,
the song effectively became his secondary signature tune, after "Great Ball of
Fire"; and between the actions of his ex-wife and the courts, Hall saw nothing
from the song, not even recognition. Hall cut demos for Sun and was back with
Fortune Records during the later part of the 1950s, including a version of
Chuck Berry's "Little Queenie" that was
pretty impressive. But most of his musical activity from 1959 onward until the
end of the 1960s was in association with
Pierce. He continued as the latter's road manager and partnered up with him
in a label, Piece Records. By the 1970s, he'd started producing records by
others and even tried his hand at newspaper publishing. Hall wasn't successful
in any of these ventures, but at the end of the decade, he was rediscovered by
rockabilly and rock & roll enthusiasts, and had begun to play gigs again during
the final four years of his life. Hall passed away on March 3, 1984, at age 61,
after a busy but mostly luckless 15 years in relative obscurity, ironically not
long after releasing the first album of his career.
https://en.wikipedia.org/wiki/Roy_Hall_(musician)
Talents : Vocals, Piano
Style musical : Honky Tonk, Rockabilly, Rock 'n' Roll
Little
Mohee (1937)
(Hall Brothers)
Happy-Go-Lucky Breakdown
(1940)
Don't Let Your Sweet Love Die
(1941)
Polecat Blues
(1941)
Mule Boogie
(1950)
Whole Lotta Shakin' Goin' On
(1955)
OFFBEAT BOOGIE
(1955)
BLUE SUEDE
SHOES (1956)
THREE ALLEY
CATS
(1956)
YOU RUINED MY
BLUE SUEDE SHOES
(1956)
ELVIS IS ROCKING AGAIN (1960)
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Years in activity :
| 1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 | 10 | 20 |
DISCOGRAPHY
Singles
| 03/1937 | 78 t. BLUEBIRD B-6843 (US) | . | HALL BROTHERS - Way Out There /
Little
Mohee
|
| 04/1937 | 78 t. BLUEBIRD B-6925 (US) | . | HALL BROTHERS - Whistle Honey Whistle / When It Gets Dark |
| 09/1937 | 78 t. BLUEBIRD B-7103 (US) | . | HALL BROTHERS - Little Girl You've Done Me Wrong / My Girl Has Gone And Left Me |
| 01/1938 | 78 t. BLUEBIRD B-7363 (US) | . | HALL BROTHERS - Partanburg Jail / McDowell Blues |
| 03/1938 | 78 t. BLUEBIRD B-7462 (US) | . | HALL BROTHERS - It Was Only A Dream / Alcatraz Prisoner |
| 08/1938 | 78 t. BLUEBIRD B-7728 (US) | . | HALL BROTHERS - The Wrong Road / Your Love Was Not True |
| 10/1938 | 78 t. BLUEBIRD B-7801 (US) | . | HALL BROTHERS - Never Alone / Hitch Hike Blues |
| 1938 | 78 t. MONTGOMERY WARD M-7236 (US) | HALL BROTHERS - Whistle Honey Whistle / When It Gets Dark | |
| 1938 | 78 t. MONTGOMERY WARD M-7237 (US) | . | HALL BROTHERS - Way Out There /
Little
Mohee
|
| 1938 | 78 t. MONTGOMERY WARD M-7238 (US) | . | HALL BROTHERS - Partanburg Jail / McDowell Blues |
| 1938 | 78 t. MONTGOMERY WARD M-7239 (US) | . | HALL BROTHERS - Never Alone / Hitch Hike Blues |
| 1938 | 78 t. MONTGOMERY WARD M-7240 (US) | . | HALL BROTHERS - Little Girl You've Done Me Wrong / My Girl Has Gone And Left Me |
| 1938 | 78 t. MONTGOMERY WARD M-7241 (US) | . | HALL BROTHERS - I'll Remember You, Love, In My Prayers / Kingdom Land |
| 02/1939 | 78 t. VOCALION 04627 (US) | . |
Blue Ridge Entertainers - Good For Nothing Gal / Lonely Blues |
| 03/1939 | 78 t. VOCALION 04717 (US) | . | Blue Ridge Entertainers - The Lonesome Dove / Wabash Cannon Ball |
| 04/1939 | 78 t. VOCALION 04771 (US) | . | Blue Ridge Entertainers - Answer To Great Speckled Bird / Where The Roses Never Fade |
| 04/1939 | 78 t. CONQUEROR 9184 (US) | . | Blue Ridge Entertainers - Answer To Great Speckled Bird / Where The Roses Never Fade |
| 06/1939 | 78 t. VOCALION 04842 (US) | . | Blue Ridge Entertainers - Come Back Little Pal / Sunny Tennessee |
| 07/1939 | 78 t. CONQUEROR 9230 (US) | . | Blue Ridge Entertainers - The Lonesome Dove / Wabash Cannon Ball |
| 1940 | 78 t. BLUEBIRD B-8391 (US) | . | HAPPY-GO-LUCKY BOYS
-
Happy-Go-Lucky Breakdown
/ Whatcha Gonna Do With The Baby |
| 1940 | 78 t. BLUEBIRD B-8467 (US) | . | Roy HALL & The HAPPY-GO-LUCKY BOYS - No Letter In The Mail Today / Come Back Sweetheart |
| 1940 | 78 t. BLUEBIRD B-8528 (US) | . | Roy HALL & The HAPPY-GO-LUCKY BOYS - I Hope She's Satisfied / Darling, I'm Still In Love With You |
| 11/1940 | 78 t. BLUEBIRD B-8561 (US) | . | Roy HALL & The HAPPY-GO-LUCKY BOYS - I'd Die Before I'd Cry Over You / New San Antonio Rose |
| 1940 | 78 t. MONTGOMERY WARD M-8718 (US) | . | HAPPY-GO-LUCKY BOYS
-
Happy-Go-Lucky Breakdown
/ Whatcha Gonna Do With The Baby |
| 1940 | 78 t. MONTGOMERY WARD M-8719 (US) | . | Roy HALL & The HAPPY-GO-LUCKY BOYS - No Letter In The Mail Today / I'm Still In Love With You |
| 1940 | 78 t. MONTGOMERY WARD M-8720 (US) | . | Roy HALL & The HAPPY-GO-LUCKY BOYS - Come Back Sweetheart / I Hope She's Satisfied |
| 01/1941 | 78 t. BLUEBIRD B-8617 (US) | . |
Bye Bye, Baby, Bye Bye / Rubber Dolly |
| 02/1941 | 78 t. BLUEBIRD B-8656 (US) | . | Roy HALL & The
Blue Ridge
Entertainers - Can You Forgive /
Don't Let Your Sweet Love Die
|
| 03/1941 | 78 t. BLUEBIRD B-8676 (US) | . |
I Played My Heart And Lost / Loving You Too Well |
| 04/1941 | 78 t. BLUEBIRD B-8702 (US) | . |
She's Winkin' At Me / Your Heart Should Belong To Me |
| 04/1941 | 78 t. BLUEBIRD B-8703 (US) | . | Roy HALL & The HAPPY VALLEY BOYS - You Don't Love Me / Weeping Willow Valley |
| 05/1941 | 78 t. BLUEBIRD B-8794 (US) | . |
Neath The Bridge At The Foot Of The Hill / Little Sweetheart, Come And Kiss Me |
| 11/1941 | 78 t. BLUEBIRD B-8863 (US) | . | Roy HALL & The HAPPY VALLEY BOYS -
Polecat
Blues
/ Natural Bridge Blues |
| 02/1942 | 78 t. BLUEBIRD B-8906 (US) | . | Roy HALL & The HAPPY VALLEY BOYS - My Sweet Mountain Rose / Until I Return To You |
| 02/1942 | 78 t. BLUEBIRD B-8923 (US) | . | HALL BROTHERS - Elevated Railroad In The City / An Old Man's Story |
| 04/1942 | 78 t. BLUEBIRD B-8959 (US) | . | Roy HALL & The HAPPY VALLEY BOYS - I Wonder If The Moon Shines / I Wonder Where You Are Tonight |
| 01/1945 | 78 t. BLUEBIRD 33-0515 (US) | . | Roy HALL & His Blue Ridge Entertainers - Best Of Friends Must Part / I'm Glad We Didn't Say Goodbye |
| 05/1950 | 78 t. & SP BULLET 704 (US) | . | Roy HALL & His
Cohutta Mountain Boys -
Mule Boogie
/ Old Folks Jamboree |
| 09/1950 | 78 t. & SP BULLET 712 (US) | . | Roy HALL & His Cohutta Mountain Boys - Ain't You Afraid? / Turn My Picture To The Wall |
| 1950 | 78 t. & SP FORTUNE 126 (US) | . | Roy HALL & His
Cohutta Mountain Boys -
Dirty Boogie
 /
No Rose In San Antone
|
| 1950 | 78 t. & SP FORTUNE 126 (US) | . | Roy HALL & His
Cohutta Mountain Boys -
Okee Doaks
/ Dirty Boogie |
| 1950 | 78 t. & SP FORTUNE 133 (US) | . | Roy HALL & His
Cohutta Mountain Boys -
Never Marry A Tennessee Gal
/ We Never Get To
Big To Cry |
| 1950 | 78 t. & SP FORTUNE 139 (US) | . |
Roy HALL & His Cohutta Mountain Boys - Five Years In Prison / My Freckle Face |
| 05/1950 | 78 t. & SP BULLET 704 (US) | . |
Old Folks Jamboree / Mule Boogie |
| 08/1950 | 78 t. & SP BULLET 712 (US) | . |
Roy HALL & His Cohutta Mountain Boys - Ain't You Afraid / Turn My Picture To The Wall |
| 1951 | SP CITATION 1150 (US) | . | EAGLES (Roy Hall’s band) - Wild Wild Man From Tennessee (Vocals - Flash GRINER) / You Can’t Come Back (Vocals - uncredited) |
| 1951 | SP CITATION 1151 (US) | . | EAGLES (Roy HALL’s band) - Skinny Minnie From Texas City (Vocals - Flash Griner) / I’m The Boss Around My House (Vocals - Roy Hall) |
| 10/1951 | SP CITATION 1152 (US) | . |
EAGLES (Roy HALL’s band) - You’re Gonna Be Sorry (Vocals - Flash Griner) / You’re Still The Captain Of My Heart (Vocals - Bud White & The Gilbert Sisters) |
| 1952 | SP TENNESSEE 813-45 (US) | . |
Back Up And Push / Golden Slippers |
| 1952 | SP TENNESSEE 835-45 (US) | . |
John Henry / Put On Your Old Grey Bonnet |
| 03/1953 | 78 t. 4 STAR 1630 (US) | . |
Jealous Love
(DAVIS SISTERS
with Roy HALL & His COHUTTA MOUNTAIN BOYS) / Firecracker Stomp (Jimmie
LANE) |
| 03/1953 | SP 4 STAR 45-1630 (US) | . |
Jealous Love
(DAVIS SISTERS
with Roy HALL & His COHUTTA MOUNTAIN BOYS) / Firecracker Stomp (Jimmie
LANE) |
| 09/1953 | 78 t. FORTUNE 170 (US) | . |
Going Down The Road Feeling Bad
(inst.) (Roy HALL & His COHUTTA MOUNTAIN BOYS)
/ Jealous Love
(DAVIS SISTERS
with Roy HALL & His COHUTTA MOUNTAIN BOYS) |
| 09/1953 | SP FORTUNE 45-170 (US) | . |
Going Down The Road Feeling Bad
(inst.) (Roy HALL & His COHUTTA MOUNTAIN BOYS)
/ Jealous Love
(DAVIS SISTERS
with Roy HALL & His COHUTTA MOUNTAIN BOYS) |
| 10/1955 | 78 t. DECCA 29697 (US) | . |
Whole Lotta Shakin' Goin' On
/
All By
Myself
|
| 10/1955 | SP DECCA 9-29697 (US) | . |
Whole Lotta Shakin' Goin' On
/
All By
Myself
|
| 01/1956 | 78 t. DECCA 29786 (US) | . |
See You Later Alligator
/
Don't Stop
Now
|
| 01/1956 | SP DECCA 9-29786 (US) | . |
See You Later Alligator
/
Don't Stop
Now
|
| 03/1956 | 78 t. DECCA 29880 (US) | . |
Blue Suede Shoes
/
Luscious
|
| 03/1956 | SP DECCA 9-29880 (US) | . |
Blue Suede Shoes
/
Luscious
|
| 09/1956 | SP DECCA 9-30060 (US) | . |
Diggin' The Boogie
/
Three Alley Cats
|
| 09/1956 | SP FORTUNE 521 (US) | . | Roy HALL & His BACK ROOM BOYS - Corinne, Corrina (instr.) / Don't Ask Me No Questions |
| 06/1960 | SP FORTUNE 210 (US) | . |
Hunt Sisters &
MARK - Roy HALL & His BAND -
Elvis Is Rocking Again
|
| 1960 | SP PIERCE PR-1918 (US) | . |
ROY "The HOUND" -
One Monkey Can't Stop The Show
|
| 1965 | SP HI-Q 5045 (US) |
 |
Roy HALL & His JUMPING CATS -
Three Alley Cats
/ Bed Spring
Motel |
| 1965 | SP HI-Q 5050 (US) | . | Roy HALL'S ALLEY CATS - Dig, Everybody, Dig That Boogie / Go Go Little Queenie |
| 03/1970 | SP Strate 8 1508 (US) | . |
Rockin' The Blues
|
| 197? | SP JUDD 1011 (US) | . |
God Made A Corner For Me / Somewhere, My Love |
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Unissued Tracks
| 1955 | DECCA unissued - (TRG CD 505 101 (#6)) | Christine [vers. 1] |
| 1955 | DECCA unissued - (Bear Family CD 15733 (#18) / Bear Family CD 16747 (#4) / Big Tone CD 5706 (#22) / Charly LP 30227 (#10) / MCA LP 1757 (#12) / MCA (England) LP 2833 (#12) / Rock & Country LP 1008 (#12) / TRG CD 505 101 (#9)) |
Move On
|
| 1955 | DECCA unissued - (Bear Family CD 15623 (#13) / Bear Family CD 16747 (#3) / Big Tone CD 5705 (#16) / Charly LP 30227 (#9) / MCA LP 1755 (#16) / MCA (England) LP 2697 (#16) / Rock & Country LP 1008 (#7) / TRG CD 505 101 (#2)) |
Offbeat Boogie
|
| 1956 | DECCA unissued - (Bear Family CD 16747 (#27) / Charly LP 30227 (#13)) | My Girl And His Girl [vers. 1] |
| 1956 | DECCA unissued - (Bear Family CD 16747 (#11) / Charly LP 30227 (#8) / MCA (U.S.) CD 5935 (#11) / MCA (U.S.) LP 25089 (#1) / TRG CD 505 101 (#12)) |
You Ruined My Blue
Suede Shoes
|
| 1958 | SUN unissued - (Bear Family CD 16210 (#10) / Bear Family CD 16747 (#7) / Bear Family CD 16747 (#23) / Charly CD 8118 (#24) / Charly LP 30227 (#3) / Disky CD 06 (#12) / Sun (England) LP 1035 (#12)) |
Christine
[vers.
2] |
| 1959 | SUN unissued - (Bear Family CD 16747 (#21) / Charly CD 8317 (#18) / Sun (England) LP 1035 (#14)) | I Lost My Baby |
| 1959 | SUN unissued - (Bear Family CD 16747 (#22) / Charly CD 8161 (#13) / Dressed To Kill/BMG CD 66 (#44) / Sun (England) LP 1035 (#13)) | Sweet Love On My Mind |
| 195? | SUN unissued - (Bear Family CD 16747 (#20) / Charly CD 8236 (#25) / TRG CD 505 101 (#13)) | My Girl And His Girl [vers. 2] |
| 19?? | Unissued - (Redita [2nd series] LP 124 (#8)) | My Girl And His Girl [vers. 3] |
Need Infos
| 19?? | Need info - (Bear Family CD 16747 (#24)) | Diggin' The Boogie [alt. vers.] |
| 19?? | Need info - (Bark Log CD 4-5 (#8) / Barklog LP 4 (#8)) | I Do Like Girls |
Albums
| 1977 | LP 12" County LP-406 (US) |
 |
Roy Hall & His Blue Ridge Entertainers - Loving You Too Well / Come Back Little Pal / Can You Forgive / Natural Bridge Blues / I Wonder Where You Are Tonight / Wrong Road / Where The Roses Never Fade / Don't Let Your Sweet Love Die/ Lonesome Dove / Little Sweetheart Come And Kiss Me / Polecat Blues / Bridge At The Foot Of The Hill / Wabash Cannonball / Best Of Friends Must Part Someday |
| 1980 ? | LP 12" Barrelhouse BH-016 (US) |
 |
Rockabilly Or Else! - Roy "The Hound" Hall and his Tennessee Rockabillies - I'm Walkin' / The Dirty Boogie / Shake, Rattle And Roll / Caldonia / Bedspring Motel / One Monkey Don't Stop The Show / Lost My Woman / Hello Josephine / My Gal / Flat Foot Sam / Hi-Yo Silver |
| 1982 | LP 12" ROCK & COUNTRY 1008 (SWE) |
 |
BOOGIE ROCKABILLY - Don't Stop Now / See You Later Alligator / Dig That Boogie / Three Alley Cat / Bed Spring Motel / Flood Of Love / Offbeat Boogie / Whole Lotta Shakin' Goin' On / All By Myself / Luscious / Blue Suede Shoes / Move On / One Monkey Can't Stop The Show / She Sure Can Rock Me |
| 1983 | LP 12" ROCK & COUNTRY 1014 (SWE) |
 |
HANK AND THE HOUND - Honky Tonking / Why Don't You Love Me Like You Use To Do / I Can't Help It / Kaw-Liga / I'll Could Never Be Ashamed / Worried Blues / Move It On Over / Jambalaya / Hey Good Looking / Nothing As Sweet As My Baby / Honky Tonk Blues / You Win Again |
| 02/1984 | LP 12" CHARLY CR 30227 (UK) |
 |
DIGGIN' THE BOOGIE - Whole Lotta Shakin' Goin' On / All By Myself / Christine / Don't Stop Now / See You Later Alligator / Blue Suede Shoes / Diggin' The Boogie / You Ruined My Blue Suede Shoes / Offbeat Boogie / Move On / Luscious / Three Alley Cats / My Girl And His Girl |
| 1995 | CD TRG 505101 (EUR) |
 |
Diggin' That Rock-a-billy Boogie - Diggin' The Boogie / Offbeat Boogie / Whole Lotta Shakin' Goin' On / All By Myself / Don't Stop Now / Christine [vers. 1] / See You Later Alligator / Blue Suede Shoes / Move On / Three Alley Cats / Luscious / You Ruined My Blue Suede Shoes / My Girl And His Girl [vers. 2] / She Sure Can Rock Me / Rock And Roll Grampa / Rockin' The Blues / A Day At The Pines / Dig, Everybody, Dig That Boogie / Bed Spring Motel (23 Spring St.) / Three Alley Cats / One Monkey Can't Stop The Show / Flood Of Love / Go Go Little Queenie! / Dirty Boogie / Okee Doaks / No Rose Of San Antone / Never Marry A Tennessee Gal / Mule Boogie |
| 06/2005 | CD BEAR FAMILY BCD 16747 (GER) |
 |
ROY ROCKS - Whole Lotta Shakin' Goin' On / Diggin' The Boogie / Off-Beat Boogie / Move On / Three Alley Cats / See You Later Alligator / Christine / Blue Suede Shoes / All By Myself / Don't Stop Now / You Ruined My Blue Suede Shoes / Dirty Boogie / She Sure Can Rock Me / Three Alley Cats / Bed Spring Motel (23 Spring Street) / Dig Everybody Dig That Boogie / Go Go Little Queenie / One Monkey Can't Stop The Show / Flood Of Love / My Girl And His Girl / Lost My Baby / Sweet Love On My Mind / Christine / Diggin' The Boogie (alt) / Mule Boogie / Luscious / My Girl And His Girl |
| 02/2014 | CD BACM CD D 442 (UK) |
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Roy Hall & His Cohutta Mountain Boys - Dirty Boogie / No Rose In San Antone / Okee Doaks / Never Marry A Tennessee Gal / We Never Get Too Big To Cry / My Freckle Face Girl / Five Years In Prison / Old Folks Jamboree / Mule Boogie / Ain’t You Afraid / Turn My Picture To The Wall / You Can’t Come Back / Wild Wild Man From Tennessee / Sonny Minnie From Texas City / I’m The Boss Around My House / You’re Gonna Be Sorry For Slippin‘ Around / Golden Slipper / Back Up And Push / John Henry / Put On Your Old Grey Bonnet / Going Down The Road Feeling Bad / Jealous Love / Corrine Corrina / Aske Me No Quastions I’ll Tell You No Lies |
© Rocky Productions 13/04/2014
(unissued)
(Roy Hall)
