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Groupe Doo Wop US, les Clovers ont débuté en 1946 dans les clubs de Washington (District Of Columbia) et était composé de Harold "Hal" Lucas, John "Buddy" Bailey, Mathew McQuater et Harold Winley. En 1950, ils enregistrent pour Rainbow sous le nom des "Four Clovers". Délaissant le quantitatif "Four", ils tentent à nouveau leur chance chez Atlantic et c'est le succès. Outre Atlantic, Ils ont enregistré pour Winley, Porwin Brunswick, Tiger et Josie Records avec du personnel différent.
The Clovers
occupy an exalted place in the history of R&B, if not in the minds of many
listeners, other than hard-core devotees of the music's history —
the Drifters tend to eclipse them, by
virtue of their longer history and the string of hits that the later incarnation
of that group had during the 1960s. The truth is that the Clovers not only
started earlier than any other act on Atlantic, but they also scored more hits
in their six years there than any other R&B act in the label's history.
The group's origins, like those of so many R&B Vocals outfits, goes back to the
members' middle teenage years. Tenor/baritone Harold "Hal" Lucas, tenor Billy
Shelton, and bass Robert Woods were students at Armstrong High School in
Washington, D.C., during the mid-'40s when they formed a trio led by Lucas, who
also came up with the name the Clovers. A fourth member, John "Buddy" Bailey,
another tenor, joined up and eventually became their lead singer, while Lucas
started singing baritone. Their early sound was influenced by the likes of such
professional outfits of the era as the
Orioles and the Ravens.
The history of R&B isn't easily contained within the boundaries of the
post-World War II era, when it began gathering popularity. The Clovers took
shape over the next few years, as Woods departed to be replaced by Matthew
McQuater, and Shelton was succeeded by Harold Winley, and a fifth member, in the
guise of guitarist Bill Harris, joined in 1949. During these years, their
repertory was largely drawn from the records and set lists of
the Orioles and the Ravens, but as the
1950s dawned, the group had begun to embrace a harder, edgier brand of R&B, with
less restraint in their embellishments. They were discovered while playing a
club in Washington by Baltimore-based entrepreneur Lou Krefetz, who got them
onto a small label called Rainbow Records, where they made their debut with "Yes
Sir, That's My Baby." It was Ahmet Ertegun, the founder of the then new label,
who interceded and, after getting the group onto his label, started feeding them
rougher, more rhythm-oriented material, including the first song Ertegun ever
wrote, "Don't You Know I Love You" — according to Nick Tosches, that single was
also the first record by an R&B quartet to incorporate a saxophone solo (by
Frank Culley) into its structure; the record became a number one R&B hit during
the summer of 1951 and heralded a new era in popular music, serving as the
template for a decade of R&B hits. Indeed, there are those who identify that
record as the very first identifiable rock & roll single.
The group was put in the hands of producer/songwriter Jesse Stone (aka Charles
Calhoun), who, with Ertegun, directed them further into this new territory that
they suddenly found themselves trailblazing. In April of 1952, "One Mint Julep"
became a number two single, and they followed that up in July with "Ting-a-Ling,"
which also got to number two. The Clovers' fortunes continued until Bailey was
drafted during the summer of 1952, and the group didn't see any significant
success again until the summer of 1953 when "Good Lovin'" charted at number two
with Charlie White, late of Billy Ward's group the Dominoes. They charted again
at number three in the spring of 1954 with "Lovey Dovey," and then Billy
Mitchell came in as lead singer for "Your Cash Ain't Nothin' but Trash." That
single was only a relatively modest hit during the summer of 1954, but it was
useful on a whole different level, getting the group a berth in the pioneering
rock & roll/R&B short feature Rock 'n' Roll Revue. Beginning in 1955,
with Bailey's discharge from the army, he and Mitchell served as joint lead
singers in the group.
The Clovers switched to a ballad style in 1955 with the release of "Blue
Velvet," which was a modest success at number 14 on the R&B listings. Their next
single, "Devil or Angel," the latter an "over-the-transom" submission by an
amateur songwriter named Blanche Carter, got to number three, but that marked
the end of their run of hits on Atlantic. Ironically, it was those last two
singles — which were really the least representative of their sound of any of
their hits — became their best known singles, getting the widest airplay, though
their version of "Devil or Angel" was later eclipsed by
Bobby Vee's recording. Following its
release, as the rock & roll boom solidified around white performers, guitar-based
acts, and novelty tunes, the Clovers experienced a downturn in their fortunes.
They ceased charting singles and after two more years of attempts at reviving
their sales, Atlantic released the bluesy sleeper classic "Down in the Alley"
(1957), one of the raunchiest songs of its period ever aimed at a mainstream
audience, which even had the temerity to project its lustful observations slowly.
Rather than retreat, the act, with the encouragement of their manager, Lou
Krefetz, grew bolder. He organized a new label, Poplar Records, and had the
Clovers record an entire LP, an extraordinary opportunity for a group that
wasn't riding high on the charts at the time — even
the Drifters had never recorded an
actual LP at the time, their albums being compilations of previously recorded
singles. The group scored with the LP and its accompanying single, "Pennies From
Heaven," and it looked as though they might pull out of their ongoing commercial
slump. Fate then took a hand as Krefetz was offered the opportunity to become
the head of sales for United Artists Records, a newly organized label that had
the money of one of the top studios in Hollywood behind them. The manager
accepted the offer and was able to fold the Clovers, along with their recordings
for Poplar, into the larger company. Krefetz next linked the group up with Jerry
Leiber and Mike Stoller, the result being the biggest pop hit in the group's
history, in the form of "Love Potion No. 9," sung by Billy Mitchell, and peaked
at number 23 (which, oddly enough, was the same slot it occupied on the R&B
charts).
Alas, this was to be the group's last success. They never found another producer
as effective as Leiber and Stoller, much less Ertegun or Stone, and even when
they returned to work with Stone, they were unable to find a way back to the
charts; even re-recording their old hits, such as "One Mint Julep," failed to
attract any listeners. By 1961, the group had parted company with United Artists,
and soon they were grasping at straws commercially, spiraling down in a series
of contracts with ever smaller and weaker labels, losing Matthew McQuater in the
process. The group splintered, with Billy Mitchell and Harold Lucas reorganizing
the lineup with a pair of members from another group, the Bachelors, James "Toy"
Walton and Robert Russell. They made a brief return to Atlantic in 1961 without
any resulting rebound in sales, and after that, the group's situation became
complicated by the existence of rival incarnations — along with Mitchell's
outfit was a group called (at times) "the Fabulous Clovers," led by Bailey.
Roosevelt "Tippie" Hubbard succeeded Mitchell, leading a quartet called "Tippie
and the Clovers," who cut sides for Leiber and Stoller's Tiger label, among them
"Bossa Nova Baby," a number that was even an embarrassment to
Elvis Presley when he did it.
By the dawn of the rock & roll revival at the turn of the 1960s into the 1970s,
the Clovers' situation had become at least as complicated as that of
the Drifters, with multiple groups
claiming the name in various performing venues and recording situations. None of
it really mattered by then, as the recordings had assumed a life of their own,
separate from any performances by survivors or pretenders. The group was honored
by the Rhythm-and-Blues Foundation in 1988 with a Pioneer Award, given to
surviving members Bailey, McQuater, Lucas, and Winley, and thanks to the CD
boom, their classic Atlantic sides have been more readily available since the
1990s than they've been at any time since the mid-'50s, Rhino Records keeping
two different hits compilations in print while Collectables Records has reissued
their two Atlantic LPs on a single CD.
http://www.theoriginalclovers.com/
Talent : Harold "Hal" Lucas : Tenor, Baritone - John "Buddy" Bailey : Tenor - Mathew McQuater : Bass - Harold Winley : Tenor - + (1949) : Bill Harris : Guitar
Style musical : Doo Wop, Rhythm 'n' Blues
NIP SIP (1955) DEVIL OR ANGEL (1956) BRING ME LOVE (1956) LOVE POTION # 9 (1959) |
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Years in activity :
1910 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 2000 | 10 | 20 |
DISCOGRAPHY
78 t., Singles & EP
1950 | SP RAINBOW 11-122 (US) | . | Yes Sir, That's My Baby / When You Come Back To Me |
1951 | 78 t. ATLANTIC 934 (US) | . | Don't You Know I Love You / Skylark |
1951 | SP ATLANTIC 45-934 (US) | . | Don't You Know I Love You / Skylark |
1951 | 78 t. ATLANTIC 944 (US) | . | Needless / Fool, Fool, Fool |
1951 | SP ATLANTIC 45-944 (US) | . | Needless / Fool, Fool, Fool |
1952 | 78 t. ATLANTIC 963 (US) | . | One Mint Julep / Middle Of The Night |
1952 | SP ATLANTIC 45-963 (US) | . | One Mint Julep / Middle Of The Night |
1952 | 78 t. ATLANTIC 969 (US) | . | Ting-A-Ling / Wonder Where My Baby's Gone |
1952 | SP ATLANTIC 45-969 (US) | . | Ting-A-Ling / Wonder Where My Baby's Gone |
1952 | 78 t. ATLANTIC 977 (US) | . | I Played The Fool / Hey Miss Fannie |
1952 | SP ATLANTIC 45-977 (US) | . | I Played The Fool / Hey Miss Fannie |
1953 | 78 t. ATLANTIC 989 (US) | . | Yes, It's You / Crawlin' |
1953 | SP ATLANTIC 45-989 (US) | . | Yes, It's You / Crawlin' |
1953 | 78 t. ATLANTIC 1000 (US) | . | Here Goes A Fool / Good Lovin' |
1953 | SP ATLANTIC 45-1000 (US) | . | Here Goes A Fool / Good Lovin' |
1953 | 78 t. ATLANTIC 1010 (US) | . | Comin' On / The Feeling Is So Good |
1953 | SP ATLANTIC 45-1010 (US) | . | Comin' On / The Feeling Is So Good |
1954 | 78 t. ATLANTIC 1022 (US) | . | Lovey Dovey / Little Mama |
1954 | SP ATLANTIC 45-1022 (US) | . | Lovey Dovey / Little Mama |
1954 | 78 t. ATLANTIC 1035 (US) | . | I've Got My Eyes On You / Your Cash Ain't Nothin' But Trash |
1954 | SP ATLANTIC 45-1035 (US) | . | I've Got My Eyes On You / Your Cash Ain't Nothin' But Trash |
1954 | 78 t. ATLANTIC 1046 (US) | . | I Confess / Alrighty Oh Sweetie |
1954 | SP ATLANTIC 45-1046 (US) | . | I Confess / Alrighty Oh Sweetie |
1954 | 78 t. ATLANTIC 1052 (US) | . | Blue Velvet / If You Love Me |
1954 | SP ATLANTIC 45-1052 (US) | . | Blue Velvet / If You Love Me |
1955 | 78 t. ATLANTIC 1060 (US) | . | Love Bug / In The Morning Time |
1955 | SP ATLANTIC 45-1060 (US) | . | Love Bug / In The Morning Time |
1955 | 78 t. ATLANTIC 1073 (US) | . | Nip Sip / If I Could Be Loved By You |
1955 | SP ATLANTIC 45-1073 (US) | . | Nip Sip / If I Could Be Loved By You |
1956 | 78 t. ATLANTIC 1083 (US) | . | Devil Or Angel / Hey Doll Baby |
1956 | SP ATLANTIC 45-1083 (US) | . | Devil Or Angel / Hey Doll Baby |
1956 | 78 t. ATLANTIC 1094 (US) | . | Love, Love, Love / Your Tender Lips |
1956 | SP ATLANTIC 45-1094 (US) | . | Love, Love, Love / Your Tender Lips |
1956 | 78 t. ATLANTIC 1107 (US) | . | From The Bottom Of My Heart / Bring Me Love |
1956 | SP ATLANTIC 45-1107 (US) | . | From The Bottom Of My Heart / Bring Me Love |
1956 | 78 t. ATLANTIC 1118 (US) | . | Baby Baby, Oh My Darling / A Lonely Fool |
1956 | SP ATLANTIC 45-1118 (US) | . | Baby Baby, Oh My Darling / A Lonely Fool |
1957 | 78 t. ATLANTIC 1129 (US) | . | Here Comes Romance / You Good Looking Woman |
1957 | SP ATLANTIC 45-1129 (US) | . | Here Comes Romance / You Good Looking Woman |
1957 | 78 t. ATLANTIC 1139 (US) | . | I I I Love You / So Young |
1957 | SP ATLANTIC 45-1139 (US) | . | I I I Love You / So Young |
1957 | 78 t. ATLANTIC 1152 (US) | . | Down In The Valley / There's No Tomorrow |
1957 | SP ATLANTIC 45-1152 (US) | . | Down In The Valley / There's No Tomorrow |
1957 | SP WINLEY 219 (US) | . | Charlie WHITE Formerly with The CLOVERS - Sweetie Baby / Little Mama Don't Leave Me |
1958 | 78 t. ATLANTIC 1175 (US) | . | Wishing For Your Love / All About You |
1958 | SP ATLANTIC 1175 (US) | . | Wishing For Your Love / All About You |
1958 | SP POPLAR 110 (US) | . | The Gossip Wheel / Please Come On To Me |
1958 | SP POPLAR 111 (US) | . |
The Good Old Summertime / |
1959 | SP UNITED ARTISTS 174 (US) | . | Old Black Magic / Rock And Roll Tango |
1959 | SP UNITED ARTISTS 180 (US) | . | Love Potion # 9 / Stay Awhile |
1959 | EP LA VOIX DE SON MAÎTRE EGF 197 (F) | Rock And Roll Tango / Love Potion # 9 / Old Black Magic / Stay Awhile | |
1960 | SP UNITED ARTISTS 209 (US) | . | One Mint Julep / Lovey |
1960 | SP UNITED ARTISTS 227 (US) | . | Easy Lovin' / I'm Confessin' That I Love You |
1960 | SP UNITED ARTISTS 263 (US) | . | Yes It's You / Burning Fire |
1961 | SP UNITED ARTISTS 307 (US) | . | Have Gun / The Honeydripper |
1961 | SP WINLEY 225 (US) | . | Wrapped Up In A Dream / Let Me Hold You |
1961 | SP UNITED ARTISTS 2129 (US) | . | The Bootie Green / Drive It Home |
10/1961 | EP UNITED ARTISTS 36005 (F) | You Said / One Mint Julip / So Good So Good / Easy Lovin' | |
1962 | SP WINLEY 265 (US) | . | The FABULOUS CLOVERS Featuring John "Buddy" BAILEY - Be My Baby / They're Rockin' Down The Street |
1962 | SP WINLEY 265 (US) | . | The CLOVERS Featuring John "Buddy" BAILEY - Gotta Quit You / I Need You Now |
1962 | SP UNITED ARTISTS 1599 (US) | . | Love Potion # 9 / + Charlie DRAKE |
1962 | SP STENTON 7001 (US) | . | TIPPIE & The CLOVERMEN - Please Mr. Sun / Gimme, Gimme, Gimme |
1962 | SP TIGER T 201 (US) | . | TIPPIE & The CLOVERS - Bossa Nova, Baby / The Bossa Nova (My Heart Said) |
1963 | SP PORWIN 1001 (US) | . | The CLOVERS Featuring Buddy BAILEY - Stop Pretending / One More Time (Come On) |
1963 | SP PORWIN 1002 (US) | . | The CLOVERS Featuring Buddy BAILEY - Stop Pretending / One More Time (Come On) |
1963 | SP PORWIN 1004 (US) | . | Buddy BAILEY & The CLOVERS - It's All In The Game / That's What I Will Be |
1963 | SP BRUNSWICK 55249 (US) | . | The Kickapoo / Love! Love! Love! |
1963 | SP UNITED ARTISTS 1618 (US) | . | Love Potion # 9 / Stay Awhile |
1965 | SP PORT 3004 (US) | . | He Sure Could Hypnotize / Poor Baby |
1965 | SP LANA 113 (US) | . | Love Potion No. 9 / + The DELTONES |
1965 | SP LANA 114 (US) | . | Devil Or Angel / + The DELTONES |
1968 | SP JOSIE 992 (US) | . | Too Long Without Some Loving / For Days |
1968 | SP JOSIE 997 (US) | . | Try My Lovin' On You / Sweet Side Of A Soulful Woman |
1972 | SP UNITED ARTISTS XW133 (US) | . | Love Potion # 9 / Stay Awhile |
1973 | SP UNITED ARTISTS 35 953 A (GER) |
Hitcomeback - Cara Mia (Jay & The Americans) / Love Potion No. 9 (CLOVERS) |
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1974 | SP BROADCAST 1010 (US) | . | Cocksuckers Ball / Derbytown |
1975 | SP BROADCAST 1124 (US) | . | My Mothers Eyes / Pennies From Heaven |
1975 | SP BROADCAST 1130 (US) | . | Too Young / You Said |
1975 | SP ALADDIN 4350 (US) | . | Bump Jive! / Bump Jive (Disco) (instr.) |
197? | SP ATLANTIC 13042 (US) | . | Your Tender Lips / + Ivory Joe HUNTER |
1988 | SP RIPETE 1011 (US) | . | Drive It Home / Don't Play That Song |
1989 | EP RIPETE 1022 (US) | . | Blue Velvet / One Mint Julep / You're So Fine/ Lovey Dovey |
198? | SP RIPETE 2022 (US) | . | Drive It Home / Don't Play That Song |
1990 | SP RIPETE 3006 (US) | . | Hey Miss Fannie / Goin' Home To Jesus |
200? | SP COLLECTABLES COL 060577 (US) | . | Love Potion # 9 / + The EXCITERS |
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Unissued Tracks
195? | ATLANTIC unissued | Better Be On My Way |
195? | ATLANTIC unissued | All Night Boogie |
195? | ATLANTIC unissued | Blue Moon |
195? | ATLANTIC unissued | Middle Of The Night (first version) |
195? | ATLANTIC unissued | Comin' On (first version) |
195? | ATLANTIC unissued | Pretty Woman |
195? | ATLANTIC unissued | One More Kiss |
195? | ATLANTIC unissued | I Confess (second version) |
195? | ATLANTIC unissued | Only While I Dream (first version) |
195? | ATLANTIC unissued | Down In The Alley (first version) |
195? | ATLANTIC unissued | Your Cash Ain't Nothin' But Trash (second version) |
195? | ATLANTIC unissued | Nobody But You |
195? | ATLANTIC unissued | Only While I Dream (second version) |
195? | ATLANTIC unissued | Love Bug (first version) |
195? | ATLANTIC unissued | Love, Love, Love (first version) |
195? | ATLANTIC unissued | Kiss Me Before You Go |
195? | ATLANTIC unissued | Springtime |
195? | ATLANTIC unissued | Love May Call |
195? | ATLANTIC unissued | In The Rain |
195? | ATLANTIC unissued | Baby Darling |
195? | ATLANTIC unissued | Pretty Eyes |
196? | ATLANTIC unissued | Salty Tears |
196? | ATLANTIC unissued | Travel on |
196? | BRUNSWICK unissued | Yeah Yeah Yeah |
196? | BRUNSWICK unissued | Call Her Up |
Albums
11/1956 | LP 12" ATLANTIC 1248 (US) | THE CLOVERS - Love Love Love / Lovey Dovey / Yes It's You / Ting-A- Ling / I Played The Fool / Hey Miss Fanny / Don't You Know I Love You / Middle Of The Night / Blue Velvet / Little Mama / Crawlin' / Here Goes A Fool / I Got My Eyes On You / Devil Or Angel | |||
1957 | LP 12" ATLANTIC 8009 (US) | THE CLOVERS - Love Love Love / Lovey Dovey / Yes It's You / Ting-A-Ling / I Played The Fool / Hey Miss Fanny / Don't You Know I Love You / Middle Of The Night / Blue Velvet / Little Mama / Crawlin' / Here Goes A Fool / I Got My Eyes On You / Devil Or Angel | |||
1959 | LP 12" ATLANTIC 8034 (US) | DANCE PARTY - Love Bug / All About You / If I Could Be Loved By You / So Young / Down in the Alley / Nip Sip / I I I Love You / In the Morning Time / Your Tender Lips / Fool, Fool, Fool / Wishing For You Love / There's No Tomorrow | |||
1959 | LP 12" UNITED ARTISTS UAS-6033 (US) | IN CLOVER - Old Black Magic / Jamaica Farewell / What Is This Thing Called Love / Pennies From Heaven / To Each His Own / Vaya Con Dios / Good Old Summertime / Idaho / Please Come On To Me / Kentucky Babe / Rock And Roll Tango / My Mothers Eyes | |||
1960 | LP 12" UNITED ARTISTS UAS-6099 (US) | THE ORIGINAL LOVE POTION No. 9 BY THE CLOVERS - Love Potion #9 / You Said / I'm Confessin' That I Love You / So Good, So Good / Lovely / Stay Awhile / Easy Lovin' / The Sheik / Too Young / One Mint Julip / Noni Cosi / That's What's Worrying Me | |||
1971 | LP 12" ATCO SD 33-374 (US) | THEIR GREATEST RECORDINGS - THE EARLY YEARS - Little Mama / Devil Or Angel / Good Lovin' / Blue Velvet / Lovey Dovey / Ting-A-Ling / Hey Miss Fanny / Don't You Know I Love You / Fool, Fool, Fool / One Mint Julep / Love Potion Number Nine / Down In The Alley / Your Cash Ain't Nothin' But Trash / Love, Love Love | |||
1978 | LP 12" UNITED ARTISTS LAX-307 (JAP) | LOVE POTION No. 9 - THE BEST OF THE CLOVERS - Love Potion #9 / You Said / I'm Confessin' That I Love You / So Good, So Good / Lovely / Stay Awhile / Easy Lovin' / The Sheik / Too Young / One Mint Julip / Noni Cosi / That's What's Worrying Me | |||
197? | LP 12" Pickwick K-431 (US) | The Great Singing Groups - The PARAGONS / THE JESTERS / The Harptones / The Clovers - Florence (PARAGONS) / Hey Little School Girl (PARAGONS) / Out Here (Clovers) / T.V. Fanatic (Clovers) / Let Me Hold You (Clovers) / Love No One But You (JESTERS) / The Plea (JESTERS) / My Memories Of You (Harptones) / I Was Just A Laugh (Harptones) / I Depend On You (Harptones) | |||
1984 | LP 12" EDSEL 126 (UK) | FIVE COOL CATS - One Mint Julep / Good Lovin' / Lovey Dovey / I Got My Eyes On You / Down In The Alley / Your Cash Ain't Nothin' But Trash / In The Morning Time / Don't You Know I Love You / Blue Velvet / Love Bug / If I Could Be Loved By You / Nip Sip / Devil Or Angel / Your Tender Lips / So Young / All About You | |||
10/1991 | CD ATLANTIC 82312 (US) | DOWN IN THE ALLEY - THE BEST OF THE CLOVERS - One Mint Julep / Good Lovin' / Don't You Know I Love You / Wonder Where My Baby's Gone / Ting-A-Ling / Crawlin' / Hey, Miss Fannie / Lovey Dovey / Middle Of The Night / Fool, Fool, Fool / I've Got My Eyes On You / I Confess / Your Cash Ain't Nothin' But Trash / Little Mama / Down In The Alley / Nip Sip / Devil Or Angel / Blue Velvet / In The Morning Time / Love Bug / If I Could Be Loved By You | |||
1991 | CD Atlantic / ATCO PRCD 4233-2 (US) | Atlantic & Atco Remasters Series Sampler One - Ray Charles, The Clovers, LaVern Baker, Clyde McPhatter - Ray Charles : I Got A Woman / Drown In My Own Tears / I Had A Dream / Lonely Avenue / The Right Time / What'd I Say / Clovers : One Mint Julep / Devil Or Angel / I Confess / LaVern Baker : Soul On Fire / Jim Dandy / I Cried A Tear / Clyde McPhatter : Deep Sea Ball / Treasure Of Love / A Lover's Question | |||
06/1997 | CD RHINO 72706 (US) | DON'T YOU KNOW I LOVE YOU & OTHER FAVORITES - Don't You Know I Love You / One Mint Julep / Hey Miss Fannie / Crawlin' / Fool, Fool, Fool / Ting-A-Ling / Lovey Dovey / Devil Or Angel / Love, Love, Love / Good Lovin'. | |||
02/1998 | CD RHINO 72971 (US) | THE VERY BEST OF THE CLOVERS - Don't You Know I Love You / Fool, Fool, Fool / One Mint Julep / Ting-A-Ling / I Played The Fool / Hey, Miss Fannie / Good Lovin' / Lovey Dovey / Little Mama / Your Cash Ain't Nothin' But Trash / Blue Velvet / Devil Or Angel / Down In The Alley / Pennies From Heaven / Love Potion No. 9 / Lovey | |||
07/1998 | CD COLLECTABLES 6218 (US) | THE CLOVERS / DANCE PARTY - Love Love Love / Lovey Dovey / Yes It's You / Ting-A-Ling / I Played The Fool / Hey Miss Fanny / Don't You Know I Love You / Middle Of The Night / Blue Velvet / Little Mama / Crawlin' / Here Goes A Fool / I Got My Eyes On You / Devil Or Angel / Love Bug / All About You / If I Could Be Loved By You / So Young / Down in the Alley / Nip Sip / I I I Love You / In the Morning Time / Your Tender Lips / Fool, Fool, Fool / Wishing For You Love / There's No Tomorrow | |||
08/1998 | CD RIPETE 2264 (US) | ANTHOLOGY - Squeeze Box / Let's Get Loose / You Sexy Thing / Drive It Home / Goin' Home To Jesus / All About You / Don't Play That Song / Derby Town / Love Is So Good When You're Stealin It / Steppin' In Steppin' Out / My Mother's Lullaby / One Mint Julep / Nip Sip / Crawlin' / Lovey Dovey / Blue Velvet / Devil Or Angel / Your Cash Ain't Nothin' But Trash / Love Potion No. 9 / Down In The Alley / Squeeze Box [alternate mix] | |||
04/2004 | CD PROPER 2029 (UK) | TING-A-LING - Yes Sir That's My Baby / When You Come Back To Me / Don't You Know I Love You / Skylark / Needless / Fool Fool Fool / One Mint Julep / Middle Of The Night / Ting-A-Ling / Wonder Where My Baby's Gone / I Played The Fool / Hey Miss Fannie / Yes It's You / Crawlin' / Here Goes A Fool / Good Lovin' / Comin' On / The Feeling Is So Good | |||
05/2004 | CD COLLECTABLES 9254 (US) | DON'T YOU KNOW I LOVE YOU & OTHER FAVORITES - Don't You Know I Love You / One Mint Julep / Hey Miss Fannie / Crawlin' / Fool, Fool, Fool / Ting-A-Ling / Lovey Dovey / Devil Or Angel / Love, Love, Love / Good Lovin' | |||
11/2004 | CD CLASSICS 5115 (US) | 1950-1953 - When You Come Back To Me / Yes Sir! That's My Baby / Don't You Know I Love You / Skylark / Needless / Fool, Fool, Fool / In The Middle Of The Night / Comin' On / One Mint Julep / Wonder Where My Baby's Gone / I Played The Fool / Ting-A-Ling / Crawlin' / Yes, It's You / Hey Miss Fannie / Good Lovin' / I Confess / Here Goes A Fool / The Feeling Is So Good / Lovey Dovey / I've Got My Eyes On You / Little Mama / Down In The Alley | |||
03/2006 | CD REV-OLA 146 (UK) | YOUR CASH AIN'T NOTHON BUT TRASH - THEIR GREATEST HITS 1951-55 - Don't You Know I Love You / Skylark / Needless / Fool, Fool, Fool / One Mint Julep / Middle Of The Night / Ting-A-Ling / Wonder Where My Baby's Gone / I Played The Fool / Hey Miss Fannie / Yes It's You / Crawlin' / Here Goes A Fool / Good Lovin' / Comin' On / The Feeling Is So Good / Lovey Dovey / Little Mama / I've Got My Eyes On You / Your Cash Ain't Nothin' But Trash / Blue Velvet / If You Love Me / Nip Sip / If I Could Be Loved By You / Devil Or Angel / Hey Doll Baby / Down In The Alley / All Night Boogie | |||
01/2007 | CD ACROBAT 4224 (US) | JUKEBOX HITS - 1951-1955 - Don't You Know Why I Love You / Fool Fool Fool / One Mint Julep / Middle Of The Night / Ting A Ling / Wonder Where My Baby's Gone / Hey Miss Fannie / I Played The Fool / Crawlin' / Good Lovin' / Comin' On / Lovey Dovey / Little Mama / Your Cash Ain't Nothing But Trash / I Got My Eyes On You / Blue Velvet / Love Bug / Nip Sip / Devil Or Angel / Hey Doll Baby | |||
03/2007 | CD WARNER PLATINUM 79995 (US) | THE PLATINUM COLLECTION - One Mint Julip / Good Lovin' / Ting-A-Ling / Lovey Dovey / Down In The Alley / Fool, Fool, Fool / Don't You Know I Love You / Wonder Where My Baby's Gone / Crawlin' / Hey, Miss Fannie / Middle Of The Night / I've Got My Eyes On You / I Confess / Your Cash Ain't Nothin' But Trash / Little Mama / Nip Sip / Devil Or Angel / Blue Velvet / In The Morning Time / Love Bug / If I Could Be Loved By You / I Played The Fool | |||
08/2008 | CD PEGASUS 653 (US) | LOVEY DOVEY - Blue Velvet / Yes Sir, That's My Baby / When You Come Back To Me / Lovey Dovey / I Confess / Comin' On / Devil Or Angel / Good Lovin' / I've Got My Eyes On You / Skylark / Yes It's You / Needless / Love, Love, Love / Middle Of The Night / I Played The Fool / Crawlin' / Don't You Know I Love You? / Fool, Fool, Fool / Down In The Alley / Here Goes A Fool | |||
2008 | CD CHARLY / WETON CRR022 (UK) | ROCK 'N' ROLL LEGEND - Fool, Fool, Fool / Down In The Alley / Devil Or Angel / Love, Love, Love / Don't You Know I Love You / Ting-A-Ling / Your Cash Ain't Nothin' But Trash / Good Lovin' / One Mint Julep / I've Got My Eyes On You / Middle Of The Night / Little Mama / Lovey Dovey / Hey, Miss Fannie / Love Bug / Blue Velvet / Hey Doll Baby / Nip Sip / Here Comes Romance / The Feeling Is So Good / I, I, I Love You / Your Tender Lips / If I Could Be Loved By You / You Good Looking Woman / So Young / I Played The Fool / Yes It's You / There's No Tomorrow / Comin' On / Crawlin' | |||
09/2009 | CD PICKWICK 5050457073923 (UK) | THE BEST OF THE CLOVERS - Don't You Know I Love You / Fool Fool Fool / One Mint Julep / Middle Of The Night / Ting-A-Ling / Hey Miss Fannie / I Played The Fool / Crawlin' / Good Lovin' / Lovey Dovey / Little Mama / Your Cash Ain't Nothin' But Trash / I Got My Eyes On You / Blue Velvet / Devil Or Angel / Love Love Love | |||
02/2011 | 2 CD JASMINE JASCD 576 (UK) | THE FEELIN' IS GOOD :
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03/2012 | CD PHASE ONE COMMUNICATIONS / WINLEY WR 30732 (US) | THE WINLEY RECORDINGS 1957-62 - Stop Pretending (feat. Buddy BAILEY) / One More Time (feat. Buddy BAILEY) / It's All In The Game (feat. Buddy BAILEY) / That's What I Will Be (feat. Buddy BAILEY) / Let Me Hold You / Wrapped Up In A Dream / I Need You Now / Gotta Quit You / They're Rockin' Down The Street (feat. The FABULOUS CLOVERS) / Be My Baby (feat. The FABULOUS CLOVERS) / Nobody's Fault But Mine (feat. NEW SOULS, Charlie WHITE) / Dearest To Me (feat. NEW SOULS, Charlie WHITE) / Sweetie Baby (feat. George DUKE, Earl KNIGHT, Charlie WHITE) / Little Mama Don't Leave Me (feat. George DUKE, Earl KNIGHT, Charlie WHITE) / Our Future / Teenie Weenie Hot Dog / Let The Good Times Roll, Pt. 1 (feat. George KELLY, Earl KNIGHT) / Let The Good Times Roll, Pt. 2 (feat. George KELLY, Earl KNIGHT) |
© Rocky Productions 18/06/2012